McMullan, A.
ORCID: https://orcid.org/0000-0002-2531-3746 and McTighe, T.
(2014)
Samuel Beckett, the Gate Theatre Dublin, and the contemporary Irish independent theater sector: fragments of performance history.
Breac: A Digital Journal of Irish Studies, July.
ISSN 2372-2231
McMullan, A.
ORCID: https://orcid.org/0000-0002-2531-3746, McTighe, T., Pattie, D. and Tucker, D.
(2014)
Staging Beckett: constructing histories of performance.
Journal of Beckett Studies, 23 (1).
pp. 11-33.
ISSN 0309-5207
doi: 10.3366/jobs.2014.0084
McTighe, T. (2013) Acts of estrangement: reading the psoriatic-skin. Nyx, A Noctournal, 8. pp. 6-15.
McTighe, T. (2010) Haptic interfaces: the live and the recorded body in Beckett's Eh Joe on stage and screen. Samuel Beckett Today / Aujourd'hui, 22. pp. 463-475. ISSN 0927-3131
McTighe, T. (2013) ‘Getting known’: Beckett, Ireland and the creative industries. In: Walsh, F. (ed.) That was us: Contemporary Irish Theatre and Performance. Oberon, London, pp. 157-172. ISBN 9781783190355
McTighe, T. (2013) The Haptic Aesthetic in Samuel Beckett's Drama. New Interpretations of Beckett in the 21st Century. Palgrave Macmillan, New York, pp224. ISBN 9781137276988