'All in one stroke': Grimms' fairy tales and the TV-production of a new Germany

[thumbnail of 4 - Woelfel.pdf]
Preview
Text - Accepted Version
· Please see our End User Agreement before downloading.
| Preview

Please see our End User Agreement.

It is advisable to refer to the publisher's version if you intend to cite from this work. See Guidance on citing.

Add to AnyAdd to TwitterAdd to FacebookAdd to LinkedinAdd to PinterestAdd to Email

Wölfel, U. (2015) 'All in one stroke': Grimms' fairy tales and the TV-production of a new Germany. Oxford German Studies, 44 (3). pp. 271-288. ISSN 0078-7191 doi: 10.1179/0078719115Z.00000000087

Abstract/Summary

The article looks at the most recent TV adaptations of the Grimms’ fairy tales by public broadcasting. Realized and marketed as a season which started in 2008,the thirty-four currently existing individual films constitute a significant national project that presents highly appealing notions of the German past to an audience divided over national conflict and demands of globalization. With children and adolescents at the centre, the films offer the young as a generation of moral superiority that facilitates social harmony and moral consensus. This post-unification utopia is beautifully realized on screen but rests on very conservative assumptions about gender, social driving forces, and political order.

Altmetric Badge

Item Type Article
URI https://reading-clone.eprints-hosting.org/id/eprint/40874
Identification Number/DOI 10.1179/0078719115Z.00000000087
Refereed Yes
Divisions Arts, Humanities and Social Science > School of Literature and Languages > Languages and Cultures > German
Uncontrolled Keywords childhood, post-unification, German, fairy tale, Grimm, public broadcasting, heritage
Publisher Maney Publishing
Download/View statistics View download statistics for this item

Downloads

Downloads per month over past year

University Staff: Request a correction | Centaur Editors: Update this record

Search Google Scholar