Ioppolo, G.
ORCID: https://orcid.org/0000-0002-9951-4727
(2014)
Thomas Heywood: just in time.
Early Theatre, 17 (2).
pp. 122-133.
ISSN 1206-9078
doi: 10.12745/et.17.2.1209
Abstract/Summary
The scholarly study of the dramatic works and career of Thomas Heywood has increased significantly in the last fifty years but still lags far behind that of his contemporaries Shakespeare and Jonson. Labelled the ‘prose Shakespeare’ by Charles Lamb in the early nineteenth century, Heywood seems to have been considered by scholars and publishers to be a ghostly figure who haunted the early modern theatrical world. In fact, recent research using archival records shows the ways in which Heywood is at the centre of an extensive and highly networked professional industry.
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| Item Type | Article |
| URI | https://reading-clone.eprints-hosting.org/id/eprint/40818 |
| Identification Number/DOI | 10.12745/et.17.2.1209 |
| Refereed | Yes |
| Divisions | Arts, Humanities and Social Science > School of Literature and Languages > English Literature |
| Publisher | Centre for Reformation and Renaissance Studies |
| Download/View statistics | View download statistics for this item |
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