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Nagib, L. 
ORCID: https://orcid.org/0000-0001-8808-9748
(2003)
Death on the beach: the recycled utopia of Midnight.
In: Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (ed.)
The new Brazilian cinema.
I.B. Tauris, London, pp. 157-174.
ISBN 9781860649288
Abstract/Summary
The chapter conducts close analysis of the film Midnight (O primeiro dia) in the light of Brazilian history and Brazilian film history
| Item Type | Book or Report Section |
| URI | https://reading-clone.eprints-hosting.org/id/eprint/32078 |
| Item Type | Book or Report Section |
| Refereed | Yes |
| Divisions | Arts, Humanities and Social Science > School of Arts and Communication Design > Film, Theatre & Television |
| Uncontrolled Keywords | Walter Salles Daniela Thomas Midnight (O primeiro dia) Brazilian Cinema |
| Publisher | I.B. Tauris |
| Download/View statistics | View download statistics for this item |
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