History in tatters: bodies and things in Samuel Beckett’s theatre

Full text not archived in this repository.

Please see our End User Agreement.

It is advisable to refer to the publisher's version if you intend to cite from this work. See Guidance on citing.

Add to AnyAdd to TwitterAdd to FacebookAdd to LinkedinAdd to PinterestAdd to Email

McMullan, A. orcid id iconORCID: https://orcid.org/0000-0002-2531-3746 (2008) History in tatters: bodies and things in Samuel Beckett’s theatre. Etudes Britanniques Contemporaines, 35. pp. 27-37. ISSN 1168-4917

Abstract/Summary

The article takes a phenomenological approach to the relationship between stage properties and the performing body in Beckett's theatre.

Item Type Article
URI https://reading-clone.eprints-hosting.org/id/eprint/24992
Refereed Yes
Divisions Interdisciplinary Research Centres (IDRCs) > Samuel Beckett Research Centre
Arts, Humanities and Social Science > School of Arts and Communication Design > Film, Theatre & Television
Publisher Société d'Etudes Anglaises Contemporaines
Download/View statistics View download statistics for this item

University Staff: Request a correction | Centaur Editors: Update this record

Search Google Scholar