Isotype: representing social facts pictorially

[thumbnail of IDJ-Burke2010.pdf]
Preview
Text - Accepted Version
· Please see our End User Agreement before downloading.
| Preview

Please see our End User Agreement.

It is advisable to refer to the publisher's version if you intend to cite from this work. See Guidance on citing.

Add to AnyAdd to TwitterAdd to FacebookAdd to LinkedinAdd to PinterestAdd to Email

Burke, C. orcid id iconORCID: https://orcid.org/0000-0002-0391-3740 (2009) Isotype: representing social facts pictorially. Information Design Journal, 17 (3). pp. 211-223. ISSN 0142-5471 doi: 10.1075/idj.17.3.06bur

Abstract/Summary

In developing Isotype, Otto Neurath and his colleagues were the first to systematically explore a consistent visual language as part of an encyclopedic approach to representing all aspects of the physical world. The pictograms used in Isotype have a secure legacy in today's public information symbols, but Isotype was more than this: it was designed to communicate social facts memorably to less educated groups, including schoolchildren and workers, reflecting its initial testing ground in the socialist municipality of Vienna during the 1920s. The social engagement and methodology of Isotype are examined here in order to draw some lessons for information design today.

Altmetric Badge

Item Type Article
URI https://reading-clone.eprints-hosting.org/id/eprint/16340
Identification Number/DOI 10.1075/idj.17.3.06bur
Refereed Yes
Divisions Arts, Humanities and Social Science > School of Arts and Communication Design > Typography & Graphic Communication
Uncontrolled Keywords Isotype, Otto Neurath, pictograms, symbols, transformer, visual communication, graphic design, Red Vienna, decision making, economics
Publisher John Benjamins
Download/View statistics View download statistics for this item

Downloads

Downloads per month over past year

University Staff: Request a correction | Centaur Editors: Update this record

Search Google Scholar