Stupart, L. (2014) Rematerializing feminism. In: Brooke, A., Smith, G. and Farkas, R. (eds.) Re-materialising Feminism. Arcadia Missa Press, London. ISBN 9780992674748
Abstract/Summary
This paper offers a feminist critique of ‘participatory practice’, exemplified here by Tino Sehgal, Renzo Martens and Santiago Sierra, as a practice which objectifies people-as-artistic-material under the guise of the production of empathy, experience, emotion and intersubjectivity. I argue that masculinised participatory practice be framed as 'melancholic' in that it is a terminal mourning for the lost art object of 1968, which fails to recognise this loss, thus destroying itself as art dissolves into capitalist life. I suggest that resistance to this process might happen at the site of the body-as-material, in the voice and actions of the worker-participant who constitutes the artwork.
| Item Type | Book or Report Section |
| URI | https://reading-clone.eprints-hosting.org/id/eprint/115799 |
| Refereed | Yes |
| Divisions | Arts, Humanities and Social Science > School of Arts and Communication Design > Art > Fine Art Arts, Humanities and Social Science > School of Arts and Communication Design > Art > Art History |
| Uncontrolled Keywords | feminism; art; participatory practice; material feminism; melancholia; psychoanalysis; performance art |
| Publisher | Arcadia Missa Press |
| Download/View statistics | View download statistics for this item |
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