Television: from pre-production to programme making and dissemination

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2024) Television: from pre-production to programme making and dissemination. In: Beloborodova, O. and Van Hulle, D. (eds.) Toward a Comparative History of the Literary Draft in Europe. John Benjamins, Amsterdam, pp. 473-486. ISBN 9789027215260

Abstract/Summary

A focus on the details of how TV drama scripts were commissioned, edited and realised offers insight into the relationships between writers and television institutions. This study of the early years of the BBC’s popular science fiction series Doctor Who is based on archival documents from the 1960s and shows how the role of the screenwriter was negotiated in relation to the opportunities and constraints of format, genre, cost and intended audience, at a time of rapid and dynamic change in British television culture. The decisions about screenwriting analysed in this chapter affected how Doctor Who developed in the 60 years that followed, and also impacted how the BBC thought about its cultural and social mission of Public Service Broadcasting.

Item Type	Book or Report Section
URI	https://reading-clone.eprints-hosting.org/id/eprint/115770
Item Type	Book or Report Section
Refereed	Yes
Divisions	Arts, Humanities and Social Science > School of Arts and Communication Design > Film, Theatre & Television
Uncontrolled Keywords	Screenwriting, script, TV drama, BBC, 1960s, Doctor Who, Daleks, science fiction, television
Publisher	John Benjamins
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