Roundtable: Movie: a journal of film criticism and the past, present, and future of film criticism

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Balsom, Erika (2021) Ten Skies. Berlin: Fireflies Press. Britton, Andrew (1976) ‘Mandingo’, Movie, 22, 1-22. _______(1977/78) ‘The Exorcist’, Movie, 25, 16-20. _______ (1978/79) ‘The Ideology of Screen’, Movie, 26, 2-28. Cameron, Ian ([1962] 2010) ‘Films, Directors and Critics’, Movie: A Journal of Film Criticism, 1, 1-4. _______ (ed.) (1972) The Movie Reader. London: Praeger. Cameron, Ian & Jim Hillier, V.F. Perkins, Michael Walker, Robin Wood (1975) ‘The Return of Movie’, Movie, 20, 1-25. Casey, Jace Alexander (2017) ‘New Forms of Racism in The Post- Cinematic Dispositif’, https://vimeo.com/214710979 (accessed 25th November 2022) Dyer, Richard (1998) ‘Introduction to Film Studies’ in Hill, John & Pamela Church Gibson (eds) The Oxford Guide to Film Studies. Oxford: Oxford University Press, 3-10. Garwood, Ian (2016) ‘The Place of Voiceover in Academic Audiovisual Film and Television Criticism’, NECSUS, Autumn. https://necsus-ejms.org/the-place-of-voiceover-in-audiovis- ual-film-and-television-criticism/ Gates, Racquel (2017) ‘The Last Shall Be First: Aesthetics and Politics in Black Film and Media’, Film Quarterly, 71.2, 38-45. Gates, Racquel & Michael Gillespie (2019) ‘Reclaiming Black Film and Media Studies’, Film Quarterly, 72.3, https://filmquarterly. org/2019/02/27/manifesto-eleven-calls-to-action/ (accessed 28th October 2022) Gibbs, John (2019) ‘Ian Cameron’, Movie: A Journal of Film Criticism, 8, 39-44. ______ (2019) ‘V.F. Perkins’, Movie: A Journal of Film Criticism, 8, 45-52. ______ (2019) ‘Say, have you seen the Carioca?’: an experiment in non-linear, non- hierarchical approaches to film history’ Movie: A Journal of Film Criticism, 8. https://warwick.ac.uk/fac/arts/scapvc/film/movie/carioca.pdf Gibbs, John & Douglas Pye (eds) (2005) Style and meaning: Studies in the detailed analysis of film. Manchester: Manchester University Press. _______ (2022) ‘“Le Plaisir”: Voices and Viewpoints’, NECSUS, Spring. https://necsus-ejms.org/le-plaisir-voices-and-viewpoints/ Mayer, So (2021) ‘Working Girls: Have you Ever Heard of Surplus Value?’, The Criterion Collection, 13 July. https://www.criterion. com/current/posts/7461-working-girls-have-you-ever-heard-of- surplus-value (accessed 28 October 2022) Mittell, Jason (2017) ‘Opening Up “[in]Transition’s” Open Peer- Review Process’, Cinema Journal, 56.4, 137-141. Mulvey, Laura (1975) ‘Visual Pleasure and Narrative Cinema’, Screen, 16.3, 6-18. _____(1977/78) ‘Notes on Sirk and Melodrama’, Movie, 25, 53-56. Perkins, V.F. (1972) Film as Film: Understanding and Judging Movies. London: Penguin. _____ (1990) ‘Film Authorship: The Premature Burial’, CineAction!, 21/22, 57-64. _____ (1992) ‘In a Lonely Place’ in Cameron, Ian (ed.) The Movie Book of Film Noir. London: Studio Vista, 222-231. Place, Janey & Julianne Burton (1976) ‘Feminist Film Criticism’, Movie, 22, 53-62. Pye, Douglas (1977/78) ‘Genre and History: Fort Apache and The Man Who Shot Liberty Valence’, Movie, 25, 1-11. Rohdie, Sam (1972) ‘Review: Movie Reader, Film as Film’, Screen, 13.4, 135-145. Shambu, Girish (2019) ‘Manifesto: For a New Cinephilia’, Film Quarterly, 72.3, 32-34. _______ (2020) The New Cinephilia. Montreal: Caboose Books. Thomas, Deborah (2020) ‘Two Rode Together’, Movie: A Journal of Film Criticism, 9. Williams, Tony (1977/78) ‘The Texas Chainsaw Massacre’, Movie, 25, 12-16. Wood, Robin (1989) Hitchcock’s Films Revisited. London: Faber.