Interacción creadora entre texto e imagen en el microrrelato fantástico peninsular en las primeras dos décadas del siglo XXI

Simo-Comas, M. ORCID: https://orcid.org/0000-0002-0608-2532 (2022) Interacción creadora entre texto e imagen en el microrrelato fantástico peninsular en las primeras dos décadas del siglo XXI. Brumal. Revista de investigación sobre lo fantástico/Brumal. Research Journal on the Fantastic, 9 (2). pp. 31-56. ISSN 2014-7910 doi: 10.5565/rev/brumal.825

Abstract/Summary

Framed within the first two decades of the 21st century and focusing on the micro-story of the fantastic, the present study aims to explore the creative interactions established between micro-story and image in the wider realm of the uncanny. For this purpose, and taking as a methodological benchmark the concept of intermediality, we will analyse four media compositions in which meaning is determined reciprocally by text and image: Cuentos malvados (Wicked Tales) by Espido Freire (2010), Cuentos del libro de la noche (Tales from the Book of the Night) by José María Merino (2005), Formulaciones tautológicas (Tautological Formulations) by Felipe Benítez Reyes (2010) and Casa de muñecas (Doll’s House) (2012) by Patricia Esteban Erlés. We will also consider Ajuar funerario. El comic: Difuntos, infantes y monstruos (Funerary trousseau. The Comic: Dead People, Infants and Monsters) (2018), by Imanol Ortiz and Beñat Olea, to illustrate the mechanisms of medial transposition. RESUMEN En la coordenada temporal de las dos primeras décadas del siglo XXI y centrándonos en el microrrelato fantástico, el presente estudio tiene como objeto explorar la interacción creadora que microrrelato e imagen establecen en el contexto de lo insólito. Para ello, y tomando como referencia metodológica la noción de intermedialidad, analizaremos cuatro combinaciones mediales en las que texto e imagen se determinan recíprocamente: Cuentos malvados, de Espido Freire (2010), Cuentos del libro de la noche, de José María Merino (2005), Formulaciones tautológicas, de Felipe Benítez Reyes (2010) y Casa de muñecas (2012), de Patricia Esteban Erlés. Asimismo, consideraremos Ajuar funerario. El comic: Difuntos, infantes y monstruos (2018), de Imanol Ortiz y Beñat Olea para ilustrar los mecanismos de la transposición medial.

Item Type	Article
URI	https://reading-clone.eprints-hosting.org/id/eprint/103892
Identification Number/DOI	10.5565/rev/brumal.825
Refereed	Yes
Divisions	Arts, Humanities and Social Science > School of Literature and Languages > Languages and Cultures > Spanish and Hispanic Studies
Publisher	Universitat Autònoma de Barcelona (Spain)
Publisher Statement	FOCUS AND SCOPE Brumal. Revista de Investigación sobre lo Fantástico/Brumal. Research Journal on the Fantastic is presented as an interdisciplinary and multilingual publication aimed at researchers and specialists. The fantastic is understood here as an always problematic confrontation between the real and the impossible in a textual world imitating ours. Therefore, other non-mimetic genres like science fiction or fantasy, which do not adhere to this definition, are excluded in Brumal. Revista de Investigación sobre lo Fantástico/Brumal. Research Journal on the Fantastic. Linked to the Grupo de Estudios sobre lo Fantástico (GEF, Research Group on the Fantastic) from the Universidad Autónoma de Barcelona (www.lofantastico.com), Brumal. Revista de Investigación sobre lo Fantástico/Brumal. Research Journal on the Fantastic welcomes works on the fantastic dealing with its different artistic manifestations (narrative, theatre, cinema, comic, painting, photography, TV, radio, and video games), in any language and from any country during the 19th, 20th and 21st centuries. Texts can be sent in Spanish, Catalan, Galician, English, French, Portuguese or Italian.
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