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‘Variety theatre and theatre of variations: performance, female body and music in Emile Zola’s Nana (1880), Kate Chopin’s The Awakening (1894) and Arthur Schnitzler’s Fräulein Else (1924)’

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Rolland, N. and Mandis, E. (2015) ‘Variety theatre and theatre of variations: performance, female body and music in Emile Zola’s Nana (1880), Kate Chopin’s The Awakening (1894) and Arthur Schnitzler’s Fräulein Else (1924)’. European Drama and Performance Studies, 5 (2). pp. 55-72. ISSN 2266-9035

Item Type Article
URI https://reading-clone.eprints-hosting.org/id/eprint/100273
Refereed Yes
Divisions Arts, Humanities and Social Science > School of Literature and Languages > Languages and Cultures > French
Publisher Classiques Garnier
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Full text not archived in this repository.
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