Chamarette, J.
ORCID: https://orcid.org/0000-0003-0701-1514
(2012)
Phenomenology and the Future of Film: Rethinking Subjectivity Beyond French CInema.
Palgrave Macmillan.
ISBN 9781349335220
doi: 10.1057/9781137283740
Davies, P. (2012) Architettura e culto a Venezia e nelle citta' di terraferma 1475-1490. In: Pietro Barozzi. Un vescovo del rinascimento. Fonti e ricerche di storia ecclesiastica padovana (35). Istituto per la storia ecclesiastica padovana, Padua, pp. 193-203. ISBN 8897835015, 9788897835011
Garfield, R.
ORCID: https://orcid.org/0000-0003-4747-4150
(2012)
The Straggle.
[Video]
Hellings, J.
ORCID: https://orcid.org/0009-0005-8934-791X
(2012)
Messages in a bottle and other things lost to the sea: the other side of critical theory or a reevaluation of Adorno's aesthetic theory.
Telos, 2012 (160).
pp. 77-97.
ISSN 1940-459X
doi: 10.3817/0912160077
Hellings, J.
ORCID: https://orcid.org/0009-0005-8934-791X
(2012)
Shocking (Rancière’s) spectators.
In: Corris, M., Joseph-Lester, J. and Kivland, S. (eds.)
Transmission Annual: Provocation.
Transmission Annual (2).
Artwords Press, London.
ISBN 9781906441272
Hellings, J.
ORCID: https://orcid.org/0009-0005-8934-791X
(2012)
Social practice: fo(u)r shades of grey.
In:
The Magic City (Presented as part of Liverpool Biennial).
Liverpool Biennal 2012 / Birmingham City University, pp. 26-27.
ISBN 9781906753313
Malvern, S. (2012) On the troublesome relationship of feminism and terrorism: representing the female terrorist in contemporary art. In: Terrorismus /Geschlecht/ Erinnerung (Terrorism and gender Political violence in Europe since the 19th Century). Campus Verlag, Berlin; New York, pp. 303-322. ISBN 9783593396354