Banham, R.
ORCID: https://orcid.org/0000-0003-2851-8090
(2009)
Lottery advertising 1800–1826.
Journal of the Printing Historical Society (ns.11).
pp. 17-60.
ISSN 0079-5321
Burke, C.
ORCID: https://orcid.org/0000-0002-0391-3740
(2009)
Isotype: representing social facts pictorially.
Information Design Journal, 17 (3).
pp. 211-223.
ISSN 0142-5471
doi: 10.1075/idj.17.3.06bur
Esbester, M. (2009) Nineteenth-century timetables and the history of reading. Book History, 12. pp. 156-185.
Esbester, M. (2009) Designing time: the design and use of nineteenth-century transport timetables. Journal of Design History, 22 (2). pp. 91-113. ISSN 1741-7279 doi: 10.1093/jdh/epp011
Kindel, E.
ORCID: https://orcid.org/0000-0001-9995-5891
(2009)
Delight of men and gods: Christiaan Huygens's new method of printing.
Journal of the Printing Historical Society, 14 (new se.
pp. 5-40.
Leonidas, G.
ORCID: https://orcid.org/0000-0003-0468-6268
(2009)
Ten aspects in typeface design.
Forum, 18.
pp. 6-8.
ISSN 1472-0604
Thiessen, M. and Dyson, M. C.
ORCID: https://orcid.org/0000-0002-0920-4312
(2009)
Typography for children with reading difficulties: preferences for type in reading books.
International Journal of the Book, 6 (2).
pp. 115-122.
ISSN 1447-9516
Esbester, M. (2009) Mapping the way? Maps, gender, emotion. In: Letherby, G. and Reynolds, G. (eds.) Gendered Journeys, Mobile Emotions. Ashgate, Aldershot, pp. 33-44. ISBN 9780754670346
Eve, M. (2009) Isotype in trouble, 1946-1948. In: Modern Typography in Britain: graphic design, politics, and society. Typography Papers (8). Hyphen Press, pp. 129-135. ISBN 9780907259398
Stiff, P. (2009) Austerity, optimism: modern typography in Britain after the. In: Modern Typography in Britain: graphic design, politics, and society. Typography Papers (8). Hyphen Press. ISBN 9780907259398
Stiff, P. and Cerne Oven, P. (2009) Ernest Hoch and reasoning in typography. In: Modern Typography in Britain: graphic design, politics, and society. Typography Papers (8). Hyphen Press. ISBN 9780907259398
Twyman, M. (2009) Lear and lithography. In: Nugent, C. (ed.) Edward Lear the landscape artist: tours of Ireland and the English Lakes, 1835 & 1836. The Wordsworth Trust, Grasmere, pp. 11-29. ISBN 9781905256389
Twyman, M. (2009) Printed ephemera. In: Suarez, M. F. and Turner, M. L. (eds.) The Cambridge history of the book in Britain. Cambridge University Press, Cambridge, pp. 66-82. ISBN 9780521810173 doi: 10.1017/CHOL9780521810173.004
Twyman, M. (2009) The illustration revolution. In: McKitterick, D. (ed.) The Cambridge history of the book in Britain. Cambridge University Press, Cambridge, pp. 117-143. ISBN 9780521866248 doi: 10.1017/CHOL9780521866248.004
Twyman, M. (2009) La notion d'imprimés éphémères: comparaison des approches anglo-saxonnes et françaises. In: Mois du patrimoine écrit 2004, 23 - 24 septembre 2004, Chambéry, pp. 25-43.
Waller, R. H. W. (2009) Simplification: what is gained and what is lost. In: The International Conference of Applications of Information Design, 25-28 June 2008, Mälardalen University in Eskilstuna, Sweden, pp. 219-230.
Ross, F.
ORCID: https://orcid.org/0000-0002-1094-2961
(2009)
The printed Bengali character and its evolution.
Shishu Sahitya Samsad, Kolkata, India, pp251.
ISBN 9788179551849
Ross, F. G. E.
ORCID: https://orcid.org/0000-0002-1094-2961, Holloway, T. and Hudson, J.
(2009)
Adobe Devanagari typeface.
Adobe Inc, USA.