Items where Division is "Fine Art" and Year is 2013

A

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X, Hollinworth, N., Hwang, F. ORCID: https://orcid.org/0000-0002-3243-3869 and Minnion, A. (2013) Seminar: sensory stories retold. In: Sensory Stories Retold, 7 May 2013, Museum Of Liverpool.

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X, Hollinworth, N., Hwang, F. ORCID: https://orcid.org/0000-0002-3243-3869 and Minnion, A. (2013) Sensory stories. [Show/Exhibition]

B

Blatnik, A., Bodman, S., Bohr, B., Cascella, D., Couch, A., Desjardin, A., Fontcuberta, J., Hulse, M., Dicker, B., Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972, Helgason Gallagher, S., Jaeger, P., Jeff, P., Jenkins, L., Johanknecht, S., Meynell, K., Kaiser, M., Kivland, S., Thurston, N., Mathieu, D., Mikulinsky, R., Nicolas, C., Roush, P., Lusitano, M., Sanderson, M., Schimag, S. A., Schmidt, A., Speck, D. W., Lice, S. o., Soulellis, P., Szczelkun, S. and Zoller, R. (2013) 'Frankenstein2...' in The Book is Alive! In: Waeckerlé, E. and Sawdon-Smith, R. (eds.) The Book is Alive! RGAP, England, pp. 142-149. ISBN 9780956902450

C

Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514 (2013) Transitional borders and intermedial spectacle: Kiarostami and opera, between France and Iran. Studies in French Cinema, 13 (3). pp. 257-271. ISSN 1471-5880 doi: 10.1386/sfc.13.3.257_1

Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514 (2013) The disappearing work: Chantal Akerman and phenomenologies of the ephemeral. Contemporary French and Francophone Studies, 17 (3). pp. 347-356. ISSN 1740-9292 doi: 10.1080/17409292.2013.790631

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2013) Rehearsing Szuper Gallery. [Show/Exhibition]

Cooper, A., Deburka, E., Kenning, D. and Russell, J. (2013) Capital. [Show/Exhibition]

E

Ellison, C. (2013) The Prophetic Sound: a day and night of noise cabaret(symposium of talks and live performances). [Show/Exhibition]

Ellison, C. (2013) Squirmish at the Oasis: an evening of performance and rant hosted by Agency of Noise at the Kinsgate Workshsops Trust in affiliation with Camden Arts Centre. [Show/Exhibition]

G

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2013) Parallel editing, multi-positionality and maximalism: cosmopolitan effects as explored in some art works by Melanie Jackson and Vivienne Dick. Open Arts Journal, 1 (1). pp. 45-59. ISSN 2050-3679 doi: 10.5456/issn.5050-3679/2013s06rg

H

Hellings, J. ORCID: https://orcid.org/0009-0005-8934-791X (2013) Precautions against fan(atic)s: a re-evaluation of Adorno’s uncompromising philosophy of popular culture. New German Critique, 40 (1). pp. 149-174. ISSN 1558-1462 doi: 10.1215/0094033X-1812604

K

Kollectiv, G. and Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 (2013) A Guide to Office Clerical Time Standards. [Performance]

Kollectiv, G. and Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 (2013) Suck the living labour. [Show/Exhibition]

R

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2013) John Wikins. Turps, 1 (13). pp. 14-21. ISSN 1749-3994

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2013) The perfect death - Horizons ( title of painting Horizon ). [Show/Exhibition]

Robertson, J., Metrybo, J., Faramawy, A., Steadman, S., Lawrence, J., Trevatt, T., Westwood, M., Schneider, P., Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972, O’Grady, M., Schick, A., de Lima, M. and Besley, T. (2013) Art (after). [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2013) The Y. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2013) assault. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 and Heim, A. (2013) Burg. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2013) Florian Roithmayr. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2013) I don’t feel like it, the indifference of objects. In: I don’t feel like it, the indifference of objects, University of the Arts, Camberwell College of Art, London, UK. (Unpublished)

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358, Ackroyd, R., Bullet, O., Cary, N., Deshayes, N., Flood-Paddock, J. and Stapleton, F. (2013) £5.34. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358, Audeoud, F., van Dodewaard, F., Jankowski, C., McMahon, B., Oppen Samuelsen, K., Pacquée, R., Ribas, X., Russell, J., Sekula, A., Torgersrud, M., Upritchard, F. and de Vries, A. (2013) O Chair O Flesh. [Show/Exhibition]

Rowlands, A. (2013) From script to reading to exhibition to performance to print. [Show/Exhibition]

Rowlands, A. (2013) Words to be Spoken Aloud. [Show/Exhibition]

Russell, J. (2013) Abysmal plan: waiting until we die and radically accelerated repetitionism. e-flux, 46 (6).

Russell, J. (2013) Dog days II. [Show/Exhibition]

Russell, J. (2013) I killed my father, I ate human flesh, I quiver with joy: an obsession with Pier Paolo Pasolini. [Show/Exhibition]

Russell, J. (2013) She – a factory. [Show/Exhibition]

Russell, J. (2013) Then suddenly like all at once. [Show/Exhibition]

Russell, J. (2013) To the reader. [Show/Exhibition]

Russell, J. (2013) The banquette years. [Show/Exhibition]

Russell, J. (2013) The hecklers. [Show/Exhibition]

Russell, J. (2013) The universal addressability of dumb things. [Show/Exhibition]

Russell, J. (2013) Dear living person II: story of the eyes. F.R.DAVID (10). pp. 81-103. ISSN 1874-026X

Russell, J. (2013) O chair o flesh. [Show/Exhibition]