Dronsfield, J. L. (2012) Deleuze and the image of thought. Philosophy Today, 56 (4). pp. 400-414. ISSN 0031-8256
Dronsfield, J. L. (2012) Theory as art practice. Art + Media, 1 (1). pp. 36-46. ISSN 2217-9666
Hellings, J.
ORCID: https://orcid.org/0009-0005-8934-791X
(2012)
Messages in a bottle and other things lost to the sea: the other side of critical theory or a reevaluation of Adorno's aesthetic theory.
Telos, 2012 (160).
pp. 77-97.
ISSN 1940-459X
doi: 10.3817/0912160077
Roithmayr, F.
ORCID: https://orcid.org/0009-0005-5425-3358
(2012)
I don’t feel like it: The indifference of objects.
Russell, J. (2012) Jexus. Metamute.org.
Davies, P. (2012) Architettura e culto a Venezia e nelle citta' di terraferma 1475-1490. In: Pietro Barozzi. Un vescovo del rinascimento. Fonti e ricerche di storia ecclesiastica padovana (35). Istituto per la storia ecclesiastica padovana, Padua, pp. 193-203. ISBN 8897835015, 9788897835011
Dronsfield, J. L. (2012) Finding space to record the time. In: Kirkland, S. D. (ed.) The nature drawings of Peter Karklins. DePaul University, Chicago, IL, pp. 26-27. ISBN 9780978907457
Dronsfield, J. L. (2012) Why names name not. In: Smith, E. (ed.) Kai Althoff & Yaur Oelbaum: there we will be buried. Focal Point, Southend. ISBN 9781907185120
Hellings, J.
ORCID: https://orcid.org/0009-0005-8934-791X
(2012)
Shocking (Rancière’s) spectators.
In: Corris, M., Joseph-Lester, J. and Kivland, S. (eds.)
Transmission Annual: Provocation.
Transmission Annual (2).
Artwords Press, London.
ISBN 9781906441272
Hellings, J.
ORCID: https://orcid.org/0009-0005-8934-791X
(2012)
Social practice: fo(u)r shades of grey.
In:
The Magic City (Presented as part of Liverpool Biennial).
Liverpool Biennal 2012 / Birmingham City University, pp. 26-27.
ISBN 9781906753313
Kollectiv, P.
ORCID: https://orcid.org/0000-0001-8349-9318 and Kollectiv, G.
(2012)
The work of art in the age of mechanical reproduction.
In: Newell, D. and Pooke, G. (eds.)
Fifty Key Texts in Art History.
Routledge Key Guides.
Routledge, London.
ISBN 9780415497701
Malvern, S. (2012) On the troublesome relationship of feminism and terrorism: representing the female terrorist in contemporary art. In: Terrorismus /Geschlecht/ Erinnerung (Terrorism and gender Political violence in Europe since the 19th Century). Campus Verlag, Berlin; New York, pp. 303-322. ISBN 9783593396354
Rowlands, A. (2012) Vendor. In: Sawtell, H., Rowlands, A. and Diedrichsen, D. (eds.) Broadsheet 1 - 3. Institute of Contemporary Art and Bloomberg, London, London. ISBN 9781900300681
Russell, J. (2012) Dear living person. In: Elms, A. and Reinke, S. (eds.) Blast CounterBlast. Mercer Union/WhiteWalls Inc, Toronto. ISBN 9781926627175
Chamarette, J.
ORCID: https://orcid.org/0000-0003-0701-1514
(2012)
Phenomenology and the Future of Film: Rethinking Subjectivity Beyond French CInema.
Palgrave Macmillan.
ISBN 9781349335220
doi: 10.1057/9781137283740
Roithmayr, F.
ORCID: https://orcid.org/0009-0005-5425-3358
(2012)
As if sunglasses were not necessary.
[Artefact]
Clausen, S.
ORCID: https://orcid.org/0000-0002-6536-6236
(2012)
Performance as social practice.
[Show/Exhibition]
Kollectiv, G. and Kollectiv, P.
ORCID: https://orcid.org/0000-0001-8349-9318
(2012)
File Transfer Protocol.
[Show/Exhibition]
Renshaw, T.
ORCID: https://orcid.org/0009-0005-0871-2533, Donszelmann, H. B. and Maclean, M.
(2012)
One and One and One.
[Show/Exhibition]
Roithmayr, F.
ORCID: https://orcid.org/0009-0005-5425-3358
(2012)
Like plugging in.
[Show/Exhibition]
Roithmayr, F.
ORCID: https://orcid.org/0009-0005-5425-3358, Craven-Jones, A., Do, M., Gasson, C., Hope, C., Poulson, K., Rittenbach, K. and Stanners, A.
(2012)
Solid on our source planet.
[Show/Exhibition]
Roithmayr, F.
ORCID: https://orcid.org/0009-0005-5425-3358, Achaintre, C., Boiffard, J.-A., Flood-Padock, J., Heim, A., Koob-Sassen, H. and Ruggaber, K.
(2012)
I don’t feel like it: The indifference of objects.
[Show/Exhibition]
Rowlands, A. (2012) Papers, fictions, scripts & circles. [Show/Exhibition]
Rowlands, A. and Williams, M. (2012) Millenium Magazine. [Show/Exhibition]
Russell, J. (2012) Les fleurs du mal: new art from London. [Show/Exhibition]
Russell, J. (2012) THR S NT & NVR HS BN NYTHNG T NDRSTND. [Show/Exhibition]
Russell, J. (2012) Jexus. [Show/Exhibition]
Dronsfield, J. L. (2012) The Goldmine Ten theses on music (rhythm). [Performance]
Ellison, C. (2012) Slideshow by POLLYFIBRE. [Performance]
Ellison, C. (2012) Instructions for an Audio Performance/Scissors Music. [Project]
Kollectiv, G. and Kollectiv, P.
ORCID: https://orcid.org/0000-0001-8349-9318
(2012)
Terminal: a miracle play with popular music from the end of the world.
[Project]
O'Connell, T.
ORCID: https://orcid.org/0009-0005-7889-5224 and White, N.
(2012)
Public Art Commission, 1x1 project, Tina O'Connell and Neal White.
[Project]
Ellison, C. (2012) Prêt-à-Médiatiser by House of POLLYFIBRE. [Video]
Garfield, R.
ORCID: https://orcid.org/0000-0003-4747-4150
(2012)
The Straggle.
[Video]
Ellison, C., (2012) Agency of Noise. Christine Ellison
Kollectiv, G. and Kollectiv, P.
ORCID: https://orcid.org/0000-0001-8349-9318,
(2012)
Against human nature.
Umelec.
Divus, Prague.
Dronsfield, J. L. (2012) Douglasistic Democracy [Poster digital print on paper]. Kim Kim Gallery, Gwanju, Korea.
Dronsfield, J. L. (2012) The swerve of freedom after Spinoza, § 14, The true city [Digital print A2 poster]. Wilkinson Gallery, London. (01-31 Mar 2012)