A

Alghamdi, B. A. (2024) Participations and Interactions: A study of emerging art practices in Saudi Arabia supported by the Saudi Vision 2030. PhD thesis, University of Reading. doi: 10.48683/1926.00117374

B

Bailer, S. (2024) Caring infrastructures: transforming the arts through feminist curating with care. PhD thesis, University of Reading. doi: 10.48683/1926.00119252

Banham, R. ORCID: https://orcid.org/0000-0003-2851-8090 (2024) Colour for commerce: letterpress-printed ephemera in Britain, 1740–1830. In: Grasselli, M. M. and Savage, E. (eds.) Printing Colour 1700 - 1830. Proceedings of the British Academy. Oxford University Press, London, pp. 127-138. ISBN 9780197267530

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2024) Samuel Beckett’s television plays. In: Bennett, M. Y. (ed.) The Routledge Companion to Absurdist Literature. Routledge Literature Companions. Routledge, London. ISBN 9781032188126

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2024) Television: from pre-production to programme making and dissemination. In: Beloborodova, O. and Van Hulle, D. (eds.) Toward a Comparative History of the Literary Draft in Europe. John Benjamins, Amsterdam, pp. 473-486. ISBN 9789027215260

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2024) The absence of television: broadcasting and war in Britain, 1939-45. In: Dickason, R. and Haigron, D. (eds.) Issues and Singularity in the British Media. Palgrave Macmillan, Cham, pp. 71-93. ISBN 9783031606526 doi: 10.1007/978-3-031-60653-3_4

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2024) Technology. In: Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 and Van Hulle, D. (eds.) The Oxford Handbook of Samuel Beckett. Oxford Handbooks. Oxford University Press, Oxford. (In Press)

Bulut Peynirci, E. (2024) The application of an information design approach to the development of a user-oriented digital local food map for Berkshire, Oxfordshire, and Hampshire. PhD thesis, University of Reading. doi: 10.48683/1926.00119742

Burbridge, A. L. M. (2024) A study of hegemonic masculinity in select plays by Harold Pinter. PhD thesis, University of Reading. doi: 10.48683/1926.00119400

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 and Sandner, G. (2024) History and legacy of Isotype. Bloomsbury, London, pp208. ISBN 9781350359079 doi: 10.5040/9781350359109

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 and Sandner, G. (2024) Isotype, logical empiricism, and the scientific world-conception. In: Damböck, C., Friedl, J. and Höfer, U. (eds.) Ways of the Scientific World-Conception: Rudolf Carnap and Otto Neurath. Studien zur Österreichischen Philosophie, 50. Brill, Leiden, pp. 272-314. ISBN 9789004680197

Byrne, S. ORCID: https://orcid.org/0009-0002-8607-2429 (2024) Both Grand & Intimate: UK Livecasting From 2009 to Now. PhD thesis, University of Reading. doi: 10.48683/1926.00117335

C

Cheng, X. (2024) Evolution of Chinese typeforms up to the early 20th century. PhD thesis, University of Reading. doi: 10.48683/1926.00119936

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestey, P. (2024) Studio projects by Sara Wong and Leung Chi Wo. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestey, P. (2024) THANK YOU, by Star Turina. [Show/Exhibition]

Cochrane, C., Goddard, L., Hindson, C. and Reid, T. ORCID: https://orcid.org/0000-0002-4183-0778, eds. (2024) The Routledge companion to twentieth century British theatre and performance volume one: 1900–1950. Routledge Companion, One. Routledge, UK, pp404. ISBN 9780367487898

D

Daou, M. (2024) Film editing: knowledge, practice, and scholarship. PhD thesis, University of Reading. doi: 10.48683/1926.00119550

Duane, C. (2024) The stage and beyond: scenography and audience experience in post-millennial stagings of Samuel Beckett’s works. PhD thesis, University of Reading. doi: 10.48683/1926.00119549

F

Ferrer, B. (2024) Book layout and design in unconventional printed novels: materiality and reading in the digital era. PhD thesis, University of Reading. doi: 10.48683/1926.00120352

Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972 (2024) Infomanticism: rethinking the Romantic subject through situated sound works. In: Sound, Language and the Making of Urban Space, 24-25 Aug 2023, University of Copenhagen/Museum of Copenhagen.

G

Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 (2024) Video essay: choosing death row songs. Music, Sound and the Moving Image, 18 (1). pp. 3-5. ISSN 1753-0776 doi: 10.3828/msmi.2024.2

H

Hellings, J. ORCID: https://orcid.org/0009-0005-8934-791X (2024) An authentic confrontation or a picturesque scene? Theodor W. Adorno and Alexander Kluge on film, the cinema, and television. In: Langston, R. and Simova, I. (eds.) Crisis and Astonishment: Alexander Kluge - Jahrbuch. Vandenhoeck & Ruprecht Verlagge (Brill / V&R unipress), Göttingen, pp. 221-238. ISBN 9783847116646

Holmlund, C., Purse, L. and Tasker, Y. (2024) Introduction: action as mode. In: Holmlund, C., Purse, L. and Tasker, Y. (eds.) Action Cinema Since 2000. The British Film Institute / Bloomsbury Publishing, London, pp. 1-18. ISBN 9781839022784 doi: 10.5040/9781839022814.0006

I

Izadpanah, B. ORCID: https://orcid.org/0000-0002-4455-4350 (2024) From reed to steel: the origins of nasta‘līq type-making in nineteenth-century Istanbul and Cairo. In: Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961, Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836, Luna, P. ORCID: https://orcid.org/0000-0003-1556-1217 and Sherin, A. (eds.) Bloomsbury Handbook of Global Typography. Bloomsbury. (In Press)

Izadpanah, B. ORCID: https://orcid.org/0000-0002-4455-4350 (2024) بررسی دورهٔ دوم چاپ سربی فارسی در ایران عصر قاجار و نقش حروف چاپی وارداتی (An examination of the second period of Persian printing with movable type in Qajar Iran and the role of imported types). Jahan-e Ketab. ISSN 1681-9705 (In Press)

K

Kolb, R. (2024) Curating as Governmental practices: post-exhibitionary practices under translocal conditions in governmental constellations. PhD thesis, University of Reading. doi: 10.48683/1926.00122027

Kolb, R., Patel, S. A. and Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764, eds. (2024) Speculations: funding and financing non-profit art. OnCurating, 58. OnCurating, Zürich, pp122. ISBN ‎9798321104392

L

Leaver-Yap, M. (2024) Critical intimacies: changing relations in the production of contemporary art. PhD thesis, University of Reading. doi: 10.48683/1926.00116411

Lees, D. ORCID: https://orcid.org/0000-0002-3787-3740, (2024) Synthetic Media Research Network — written evidence (ACT0011) to the House of Lords Communications and Digital Select Committee inquiry: Scaling Up: AI and creative tech. Scaling Up - AI and Creative Tech. Report. UK Parliament, Westminster. pp7.

Lloyd, K. ORCID: https://orcid.org/0000-0001-8941-9526 and valentine, j. (2024) An oral history with jina valentine by Kelly Lloyd. BOMB Magazine, 166. ISSN 0743-3204

N

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2024) World cinema and the ethics of realism. In: Vaysman, M. and Bowers, K. (eds.) The Oxford Handbook of Global Realisms. Oxford Handbooks. Oxford University Press, Oxford. ISBN 9780197610640 doi: 10.1093/oxfordhb/9780197610640.013.22

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2024) A utopia no cinema brasileiro: matrizes, nostalgia, distopias. Polytheama, São Paulo. ISBN 9786585468077

O

O'Brien, A. ORCID: https://orcid.org/0000-0002-9527-4076 (2024) No river: a prosthetic flashback. [Video] ([in]Transition, 11 (2))

O'Connell, T. ORCID: https://orcid.org/0009-0005-7889-5224 and White, N. (2024) A multispecies red-light district for Amsterdam: a propositional image. Cultural Politics, 20 (1). pp. 155-165. ISSN 1751-7435 doi: 10.1215/17432197-10969279

P

Park, H. (2024) Media archaeology in Samuel Beckett’s television plays. PhD thesis, University of Reading. doi: 10.48683/1926.00119130

Philip, A. ORCID: https://orcid.org/0000-0003-2186-0619 (2024) We tattooed your mother: agential realism, filmic realism, documentary practice. PhD thesis, University of Reading. doi: 10.48683/1926.00121607

Purse, L. (2024) What does power look like? Women heroes in digital action cinema. In: Holmlund, C., Purse, L. and Tasker, Y. (eds.) Action Cinema Since 2000. The British Film Institute / Bloomsbury Publishing, London, pp. 221-236. ISBN 9781839022784 doi: 10.5040/9781839022814.ch-012

R

Reid, T. ORCID: https://orcid.org/0000-0002-4183-0778 (2024) The Cheviot and its legacies: dramaturgies of the Left in Scottish theatre. In: Jestrovic, S. and Dutt, B. (eds.) Theatre, Activism, Subjectivity: Searching for the Left in a Fragmented World. Manchester University Press, Manchester. (In Press)

Reid, T. ORCID: https://orcid.org/0000-0002-4183-0778 (2024) Theatre and performance in contemporary Scotland. Palgrave Macmillan, UK, pp252. ISBN 9783031611902

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2024) Moving in - Thames Tideway / Chelsea Embankment Commission, London. [Artefact]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2024) Stranieri Ovunque - Foreigners Everywhere, La Biennale di Venezia. [Show/Exhibition]

Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (2024) Research and practice in designing type for diverse writing systems: some case studies of typeface designs for South Asian scripts 多样书写系统字体设计的研究与实践 —南亚文字字体设计案例研究 / 菲奥娜·罗斯. Print Culture, 13 (4). pp. 164-175. ISSN 2096-8922

Russell, J. (2024) FOYER. [Show/Exhibition]

S

Sandhu, K. ORCID: https://orcid.org/0000-0001-9663-1656 (2024) Lecture-Performance: Performing the Archive. [Performance]

Sandhu, K. ORCID: https://orcid.org/0000-0001-9663-1656 (2024) Poems from the artist's archive. [Performance]

Sandhu, K. ORCID: https://orcid.org/0000-0001-9663-1656 (2024) Runnymede International Literature Festival 2024. [Show/Exhibition]

Sandhu, K. ORCID: https://orcid.org/0000-0001-9663-1656 (2024) 'held to account'. British Art Network.

T

Tweed, Z. (2024) Matrix of shame: a feminist reading of shame, the body and radical disruption in the performance works of Marina Abramović, Samuel Beckett and Ana Mendieta. PhD thesis, University of Reading. doi: 10.48683/1926.00117065

Tyler, L. (2024) Commodity trailing contemporary performance: Sh!t Theatre’s DollyWould and Selina Thompson’s salt. Contemporary Theatre Review, 34 (2). pp. 133-151. ISSN 1477-2264 doi: 10.1080/10486801.2024.2334246

V

Valdivia Bruch, V. K. (2024) The Quest for Representation: The Experimental Art Scene in Lima under Peru’s Military Government (1968-1975). PhD thesis, University of Reading. doi: 10.48683/1926.00117644

W

Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836 (2024) Marie Neurath: designing and publishing Isotype books for children. In: Wilson, N. ORCID: https://orcid.org/0000-0003-4843-840X, Battershill, C., Heywood, S. ORCID: https://orcid.org/0000-0001-6641-2065, Joseph, M. ORCID: https://orcid.org/0000-0002-3045-9897, La Penna, D. ORCID: https://orcid.org/0000-0002-4197-0041, Southworth, H., Staveley, A. and Gordon, E. W. (eds.) Edinburgh Companion to Women in Publishing, 1900-2000. Edinburgh University Press, Edinburgh. ISBN 9781399500340

Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836, Bravo, J. ORCID: https://orcid.org/0000-0002-1013-8412 and Edwards, A. ORCID: https://orcid.org/0000-0003-2369-989X (2024) Testing, testing – what about the instructions? In: Cooper, F. and Fitzgerald, D. (eds.) Knowing COVID-19: The Pandemic and Beyond. Manchester University Press, Manchester, pp. 60-85. ISBN 9781526178640 doi: 10.7765/9781526178657.00009

Whitaker, C. (2024) Networked curatorial practice: reorientating and creating spaces for digital artists in South Africa. PhD thesis, University of Reading. doi: 10.48683/1926.00117057

Willis, N. (2024) A systematic analysis of visual and algorithmic letter fitting. PhD thesis, University of Reading. doi: 10.48683/1926.00117028

Wong, S.-Y. ORCID: https://orcid.org/0000-0001-8808-9748, Yang, H., He, W., Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 and Reynolds, M., eds. (2024) Reimagining the Humanities: Chinese and Western perspectives. The Commercial Press. Institute for World Literatures and Cultures, Tsinghua University, Beijing, pp479.