Roithmayr, F.
ORCID: https://orcid.org/0009-0005-5425-3358
(2018)
More than is needed so as not to be caught short.
In: Conference: The Humility of Plaster, 4 Sept 2018, Kettle's Yard, University of Cambridge.
Abstract/Summary
Mould and cast often appear as separate and distinct stages of form and counter-form within a sequence of events. This might be a consequence of postproduction symbolisation, caused by attempts to fix the imprint through language, by singling out and arresting moments that are really part of flowing networks, or by an over-emphasis on resemblance and recognition. I want to formulate an alternative approach: drawing on different examples of plaster moulds and casts, I will attempt to generate and present the imprint as an occurrence in the interstice forming a third, miraculous and highly generative ground in the preset that relates to mistakes, faults, disturbances, a breakdown of accountability and recognition, and in its failure to resemble, offers instead the possibility to accumulate into sculpture.
| Item Type | Conference or Workshop Item (Paper) |
| URI | https://reading-clone.eprints-hosting.org/id/eprint/80817 |
| Refereed | Yes |
| Divisions | Arts, Humanities and Social Science > School of Arts and Communication Design > Art > Fine Art |
| Uncontrolled Keywords | cast collection, plaster casts, moulds, collections, sculpture |
| Download/View statistics | View download statistics for this item |
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