Search from over 60,000 research works

Advanced Search

Staging Ireland's Dispossessed: Sarah Jane Scaife's Beckett in the City Project

[thumbnail of Open Access]
Preview
18757405_029_02_s012_text.pdf - Published Version (193kB) | Preview
Available under license: Creative Commons Attribution
[thumbnail of McMullanStagingDispossessionSBTA29.2.pdf]
Preview
McMullanStagingDispossessionSBTA29.2.pdf - Accepted Version (233kB) | Preview
Add to AnyAdd to TwitterAdd to FacebookAdd to LinkedinAdd to PinterestAdd to Email

McMullan, A. orcid id iconORCID: https://orcid.org/0000-0002-2531-3746 (2017) Staging Ireland's Dispossessed: Sarah Jane Scaife's Beckett in the City Project. Samuel Beckett Today / Aujourd'hui, 29 (2). pp. 361-374. ISSN 0927-3131 doi: 10.1163/18757405-02902012

Abstract/Summary

This essay explores the tension between the growing cultural capital of the Beckett ‘brand’ and the issues of dispossession which are at the heart of Beckett’s work through an investigation of selected productions from the Beckett in the City project, a series of site-specific performances of Beckett’s work directed by Sarah Jane Scaife. The discussion of Dublin performances of Act Without Words II (2013) and Beckett in the City: the Women Speak (2015) in marginalised urban spaces draws on writing by Judith Butler and Athena Athanasiou on dispossession.

Altmetric Badge

Item Type Article
URI https://reading-clone.eprints-hosting.org/id/eprint/67242
Item Type Article
Refereed Yes
Divisions Interdisciplinary Research Centres (IDRCs) > Samuel Beckett Research Centre
Arts, Humanities and Social Science > School of Arts and Communication Design > Film, Theatre & Television
Publisher Rodopi
Download/View statistics View download statistics for this item

Downloads

Downloads per month over past year

University Staff: Request a correction | Centaur Editors: Update this record

Search Google Scholar