Elduque, A. (2012) Sangue e carne no cinema de Joaquim Pedro de Andrade. Revista Movimento, 2. pp. 1-24. ISSN 2238-8699
Abstract/Summary
'Macunaíma' (Joaquim Pedro de Andrade, 1969) ends with a shot of blood emerging from the water. This text proposes an approach to this image following a comparison with other films by the same filmmaker: 'Couro de gato' (1960) and 'Os Inconfidentes' (1972). The main thesis is that in these images the aesthetical work with flesh synthesizes the ritual cannibalism and the capitalist one. This synthesis is specified in heroes’ assimilation by power.
| Item Type | Article |
| URI | https://reading-clone.eprints-hosting.org/id/eprint/57356 |
| Refereed | Yes |
| Divisions | Arts, Humanities and Social Science > School of Arts and Communication Design > Film, Theatre & Television |
| Publisher | Universidade de São Paulo - Escola de Comunicações e Artes |
| Download/View statistics | View download statistics for this item |
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