Filmmakers' choices

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Bacher, L. (1996) Max Ophuls in the Hollywood Studios. New Brunswick: Rutgers University Press. Barker, C. (1986, 2001) In The Flesh. London: Simon & Schuster. Barr, C. (1999) English Hitchcock. Moffat: Cameron & Hollis. Berger, J. (1972) Ways of Seeing. Harmondsworth, London: BBC and Penguin. Brecht, B. (1979) The Threepenny Opera. London: Methuen. Translated and edited by Ralph Manheim and John Willett. Briefel, A & S. Ngai (1996) ‘“How much did you pay for this place?”: Fear, Entitlement, and Urban Space in Bernard Rose’s Candyman’, Camera Obscura, 37, 70–91. Britton, A. (1976) ‘The Family in The Reckless Moment’, Framework, 4, 21–4. Cavell, S. (1979) The World Viewed: Reflections on the Ontology of Film (Enlarged edition) Cambridge MA, London: Harvard UP. Cawelti, J. (1979, 1995) ‘Chinatown and Generic Transformation in Recent American Films’ in Grant, B. Film Genre Reader II (Austin: Texas University Press), pp. 227¬–45. Cawelti, J. (1970) The Six-gun Mystique (Ohio: Bowling Green University Popular Press). Cawelti J. (1999) The Six-gun Mystique Sequel (Bowling Green, Ohio: Bowling Green State University Popular Press). Elsaesser, T. (1972) ‘Tales of Sound and Fury: Observations on the Family Melodrama’, Monogram, 4, 2–15. Gallafent, E. (1994). Clint Eastwood: Filmmaker and Star. New York: Continuum. Gibbs, J. (2002) Mise-en-scène: Film Style and Education. London: Wallflower. Halliday, J. (1971, 1997) Sirk on Sirk. London: Faber. Holding, E. S. (1947, 2003) The Blank Wall. London: Persephone. Kydd, E. (1995) "Guess Who Else is Coming to Dinner: Racial Sexual hysteria in Candyman", CineAction, 36, 63–72. Matthews, P. (2001) ‘The Deep End’, Sight and Sound, 11:11 (NS), 43–4. Mulvey, L. (1975) ‘Visual Pleasure and Narrative Cinema’, Screen, 16: 3, 6–18. Neale, S. (1980) Genre. London: BFI. Perkins, V. F. (1981) ‘Moments of Choice’, The Movie, 58, 1141–5. (Reprinted in Lloyd, A, (ed.) (1982) Movies of the Fifties. London: Orbis Publishing, 209–13.) Perkins, V. F. (1990) Film Authorship: The Premature Burial, CineAction!, 21/22, 57–64. Pumphrey, M. ‘Why do Cowboys wear their hats in the bath?: Style politics for the older man.’ in Cameron, I. & Pye, D., eds, (1996). The Movie Book of the Western. London: Studio Vista, pp. 50–62 Pye, D. (2000) ‘Movies and Point of View’, Movie, 36, 2–34. Thomas, D. (2000) Beyond Genre. Moffat: Cameron & Hollis. Thompson, J. O. (1978) “Screen Acting and the Commutation Test”, Screen, 19: 2, 55-69. Thomson, D. (2002) The New Biographical Dictionary of Film. (London: Little, Brown). Walker, M. (1982) ‘Melodrama and the American Cinema’, Movie, 29/30, 2–38. Walker, M. (1982b) ‘Ophuls in Hollywood’, Movie, 29/30, 39–60. Willet, J (ed.) (1974) Brecht on Theatre (London: Methuen). Wood, R. (1976) Personal Views. London: Gordon Fraser. Wood, R. (1986). Hollywood from Vietnam to Reagan. New York: Columbia University Press. Wood, R. (2002) ‘Plunging off The Deep End into The Reckless Moment’, CineAction, 59, 14–19.