De Gaynesford, M.
ORCID: https://orcid.org/0000-0002-2715-6342
(2013)
Geoffrey Hill and performative utterance.
British Journal of Aesthetics, 53 (3).
pp. 359-364.
ISSN 1468-2842
doi: 10.1093/aesthj/ayt018
Abstract/Summary
Utterance of a sentence in poetry can be performative, and explicitly so. The best-known of Geoffrey Hill’s critical essays denies this, but his own poetry demonstrates it. I clarify these claims and explain why they matter. What Hill denies illuminates anxieties about responsibility and commitment that poets and critics share with philosophers. What Hill demonstrates affords opportunities for mutual benefit between philosophy and criticism.
Altmetric Badge
| Item Type | Article |
| URI | https://reading-clone.eprints-hosting.org/id/eprint/40103 |
| Identification Number/DOI | 10.1093/aesthj/ayt018 |
| Refereed | Yes |
| Divisions | Arts, Humanities and Social Science > School of Humanities > Philosophy |
| Publisher | Oxford Journals |
| Download/View statistics | View download statistics for this item |
University Staff: Request a correction | Centaur Editors: Update this record
Download
Download