Panos, L. (2013) Stylised worlds: Colour Separation Overlay in BBC television plays of the 1970s. Critical Studies in Television, 8 (3). pp. 1-17. ISSN 1749-6020 doi: 10.7227/CST.8.3.2
Abstract/Summary
This essay aims to understand and interrogate the use of Colour Separation Overlay (CSO) as a mode of experimental production and aesthetic innovation in television drama in the 1970s. It sets out to do this by describing, accounting for and evaluating CSO as a production technique, considering the role of key production personnel, and analysing four specific BBC productions. Deploying methodologies of archival research, practitioner interview, and close textual analysis, the essay also delivers a significant reassessment of the role of the producer and designer in the conceptualisation and realisation of small-screen dramatic fiction.
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| Item Type | Article |
| URI | https://reading-clone.eprints-hosting.org/id/eprint/35254 |
| Identification Number/DOI | 10.7227/CST.8.3.2 |
| Refereed | Yes |
| Divisions | Arts, Humanities and Social Science > School of Arts and Communication Design > Film, Theatre & Television |
| Uncontrolled Keywords | studio, drama, single play, aesthetics, experimental, CSO, blue screen, designer |
| Publisher | Manchester University Press |
| Download/View statistics | View download statistics for this item |
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