Balancing act: exploring the tone of The Life Aquatic with Steve Zissou

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Gibbs, J. orcid id iconORCID: https://orcid.org/0000-0003-0876-1798 (2012) Balancing act: exploring the tone of The Life Aquatic with Steve Zissou. New Review of Film and Television Studies, 10 (1). pp. 132-151. ISSN 1740-0309 doi: 10.1080/17400309.2011.635035 (special issue: Wes Anderson and Co.)

Abstract/Summary

This paper provides an analysis of The Life Aquatic in the context of debates around tone, irony, the Smart Film, the New Sincerity and the Quirky. It argues that Anderson is one of a small but significant number of filmmakers to escape from the indiscriminate irony of fin de sie`cle cinema, and finds The Life Aquatic Aquatic a particularly interesting film in which to explore such matters because of its ready artifice, strong elements of pastiche and measuredly preposterous excesses. Offering a critical analysis, the paper balances an engagement with some of the systemic elements of the film’s tone with the detailed organisation of tonal elements in particular sequences.

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Item Type Article
URI https://reading-clone.eprints-hosting.org/id/eprint/26533
Identification Number/DOI 10.1080/17400309.2011.635035
Refereed Yes
Divisions Arts, Humanities and Social Science > School of Arts and Communication Design > Film, Theatre & Television
Arts, Humanities and Social Science > Language Text and Power
Uncontrolled Keywords Wes Anderson; The Life Aquatic; tone; distance; empathy; irony; smart; quirky; pastiche; performance; new sincerity
Publisher Taylor & Francis
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