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McMullan, A. 
ORCID: https://orcid.org/0000-0002-2531-3746
(2007)
Beckett’s theatre: embodying alterity.
In: Ben-Zvi, L. and Moorjani, A. (eds.)
Beckett at 100: Revolving it All.
Oxford University Press, pp. 166-176.
ISBN 9780195325485
Abstract/Summary
An analysis of the ways in which Samuel becket's plays erode the boundaries of identity with particular reference to Eleutheria, Waiting for Godot and selected later plays.
| Item Type | Book or Report Section |
| URI | https://reading-clone.eprints-hosting.org/id/eprint/24994 |
| Item Type | Book or Report Section |
| Refereed | Yes |
| Divisions | Interdisciplinary Research Centres (IDRCs) > Samuel Beckett Research Centre Arts, Humanities and Social Science > School of Arts and Communication Design > Film, Theatre & Television |
| Publisher | Oxford University Press |
| Download/View statistics | View download statistics for this item |
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