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Beckett’s theatre: embodying alterity

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McMullan, A. orcid id iconORCID: https://orcid.org/0000-0002-2531-3746 (2007) Beckett’s theatre: embodying alterity. In: Ben-Zvi, L. and Moorjani, A. (eds.) Beckett at 100: Revolving it All. Oxford University Press, pp. 166-176. ISBN 9780195325485

Abstract/Summary

An analysis of the ways in which Samuel becket's plays erode the boundaries of identity with particular reference to Eleutheria, Waiting for Godot and selected later plays.

Item Type Book or Report Section
URI https://reading-clone.eprints-hosting.org/id/eprint/24994
Refereed Yes
Divisions Interdisciplinary Research Centres (IDRCs) > Samuel Beckett Research Centre
Arts, Humanities and Social Science > School of Arts and Communication Design > Film, Theatre & Television
Publisher Oxford University Press
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