Race and the printed language: Roman and Gothic letterforms in the making of the ‘Aryan race’

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Waldeck Villas Boas, M. orcid id iconORCID: https://orcid.org/0000-0002-4822-632X and Leoussi, A. S. orcid id iconORCID: https://orcid.org/0000-0001-6323-4814 (2024) Race and the printed language: Roman and Gothic letterforms in the making of the ‘Aryan race’. Ethnic and Racial Studies. ISSN 1466-4356

Abstract/Summary

This article examines the use of roman and gothic letterforms in Nazi propaganda to express racial-national distinctions between ‘Aryans’ and ‘non-Aryans’, and Jews in particular. The link between race and language was central in the theory of the ‘Aryan’ race, whose supposed primary characteristic was the possession of the body of the ancient Greek athlete. The article examines the birth and evolution of the roman and gothic typefaces, following Gutenberg’s printing press in the 15th century, and assesses how Nazi publications harked back to German and European typographic traditions to make the printed word a vehicle of German ‘Aryan’ identity and divide readers. Theoretically, the article builds on Benedict Anderson’s concept of ‘print-language’ by making a distinction between ‘print-language’ and ‘printed language’. It draws attention to the materiality and form of the printed language, as bearers of meaning with their own power to divide or unite communities and create nations.

Item Type Article
URI https://reading-clone.eprints-hosting.org/id/eprint/119330
Refereed Yes
Divisions Arts, Humanities and Social Science > School of Literature and Languages > Languages and Cultures
Publisher Taylor and Francis
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