World cinema and the ethics of realism

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2024) World cinema and the ethics of realism. In: Vaysman, M. and Bowers, K. (eds.) The Oxford Handbook of Global Realisms. Oxford Handbooks. Oxford University Press, Oxford. ISBN 9780197610640 doi: 10.1093/oxfordhb/9780197610640.013.22

Abstract/Summary

This chapter argues that an ethical engagement with material reality defines world cinema’s most creative peaks. After a survey of the debates surrounding the concepts of “world cinema,” “realism,” and “ethics,” it delves into the study of the consequences of realism within and beyond the realm of cinematic representation. Starting with one of Neorealism’s most iconic films, Vittorio De Sica’s Bicycle Thieves (1948), it looks at the impression of reality that takes place majorly on the representational realm of verisimilitude and narrative suture, both heavily reliant on humanistic melodrama. In focus are films from Iran, China and Saudi Arabia, all of which draw on De Sica’s foundational masterpiece. It then goes on to define a physical approach to filmmaking through which presentation of reality takes the upper hand over representation, and cinema comes close to merging with real life – and real death. The analysis culminates in some radical examples from China’s independent production, in which the effort towards the decentering of the human being takes the extreme form of self-sacrifice. Setting these trends within a context marked by convergent tropes and recurrent motifs, the chapter proposes realism as an ethical commitment to truth, which binds together peoples across the globe.

Item Type	Book or Report Section
URI	https://reading-clone.eprints-hosting.org/id/eprint/119007
Identification Number/DOI	10.1093/oxfordhb/9780197610640.013.22
Refereed	Yes
Divisions	Arts, Humanities and Social Science > School of Arts and Communication Design > Film, Theatre & Television
Uncontrolled Keywords	cinematic realism, world cinema, ethics, new wave, new cinema, neorealism, Chinese independent cinema
Publisher	Oxford University Press
Download/View statistics	View download statistics for this item