Flux us now! Fluxus explored with a camera

Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764 (2021) Flux us now! Fluxus explored with a camera. Fluxus Perspectives, 51 (51). pp. 6-24. ISSN 9798478092658

Abstract/Summary

For this short article, I will enlarge summaries of the film’s chapters, and provide a bit more historical background. The material came together from many different sources, shot by different camerawomen and from material the artists gave me. Flux Us Now!, the research-based film by Dorothee Richter and Ronald Kolb, was released in 2013. It is based on a large collection of formal and informal interviews and conversations with artists Ben Patterson, Alison Knowles, Hannah Higgins, Letty Eisenhauer, Carolee Schneemann, Jon Hendricks, Geoffrey Hendricks, Larry Miller, Eric Andersen, Jonas Mekas, Daniel Spoerri, and Ben Vautier, and historical material featuring Yoko Ono, Jackson Mac Low, Ken Friedman, Dick Higgins, Nam June Paik, Philip Corner, Henry Flynt, Emmett Williams, and La Monte Young.[1]

Item Type	Article
URI	https://reading-clone.eprints-hosting.org/id/eprint/103279
Refereed	Yes
Divisions	Arts, Humanities and Social Science > School of Arts and Communication Design > Art > Fine Art
Publisher	OnCurating
Publisher Statement	info@on-curating.org OnCurating.org is a non-profit association based in Zurich, Switzerland with a registered identification number. It runs the OnCurating Journal and an exhibition space in Zurich (oncurating-space.org). The journal is independent with focus on curating both on the web and in print. The publications are openly accessible on the website. It collaborates with different partner institutions. ISSN 2673-2904 (Online) ISSN 2673-2955 (Print) ONCURATING.org Pfingstweidstrasse 96, 8005 Zurich, Switzerland The rights of contributions in the issues remain by the respective authors. Each publication is openly accessible on the website www.on-curating.org and can be downloaded and shared under the restriction of crediting the authors and/or OnCurating.org.
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